Improved! Quick Stabilize in viewer by layer for improved roto workflow.New! Multi-link layers and link mesh tracking to existing planar track layers.New! RGB channel tracking and RGB viewer controls.Includes 12 new blend modes, improved render quality, motion blur, and new Grid Warp interface to bend/distort source elements. Finish simple match moves in one AE effect without precomps! Now mesh tracking can be rendered with motion blur! New workflow brings tracked insert compositing to editing hosts like Premiere, VEGAS, and Media Composer. The final delivery was 4K so the Production Master and all of the tests for the client were delivered in 4K.The improved Insert Module features warped surface compositing driven by PowerMesh tracking for a new streamlined workflow.
When rendering the Guide adjustment layer with the color correction applied was ignored and the client ended up with a VFX shot that exactly matched the camera original so no monkeying around with my 126 frames was required to make the FX match the rest of the footage in the scene. I put an adjustment layer as a guide layer with the basic LUT for the movie on the top layer so I could tell what the composite would look like because it's impossible for me to accurately judge anything if I'm looking at log footage, did all my compositing work, rendered the comp to the client's Open EXR sequence specifications. My comps were created from the EXR sequence so everything matched. Just finished a compositing job where the camera original was Log 6K sent to me as an EXR sequence. I always try and work at the native resolution of the project. Pre-compose the layer before you run the tracker in Mocha or Do everything in a larger comp and scale it down later.
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